BIOGRAPHY

I'm a New Age composer and teacher who also plays, composes, and improvises on the Guitar. Traditional Jazz from the 1940's and 50's is the style of jazz I love the most.  Django's last recording made in 1953 was the first jazz guitar recording that ever captured me.  After that, came Tal Farlow.  Jimmy Raney, Wes Montgomery, Eddie Diehl my good friend and Teacher, and of course Charlie Parker.  The Blues, folk music from all over the world, and the 20th century composers both jazz and classical are also a burning passion with me, and my music reflects all of these influences.
 I come from a long line of musicians.  My father was Harry Woods, a prolific Song writer who flourished during the 1920' and 30's.  Among his hits were "Try a Little Tenderness", "River Stay Way From My Door".  "Hoo Hoo Hoo What a Little Moonlight Could do, sung by Billie Holliday, and many others.  My Grand Mother and Grand Father were singers and toured the Vaudeville Circuit.
 I majored In composition with Grant Fletcher at Arizona Stare University in the early 1960's.  Grant was a great composer and teacher. Because there were no Guitar Programs at that time, I took all the music courses I could get my hands on, and left forsaking the degree. I went to New York City, got a gig with the Hal Waters Trio and we ended up playing in Canada for awhile. During the late 60's and early 70's I worked as a composer / Arranger for Famous Music Company, Sunbury Dunbar Music company,  and Sy Colman as a song writer and demo arranger. 

   Later I worked as an independent  record  producer, and arranger, working for Polydor, Verve Forecast, and Decca.  The Folk Rock thing was in full swing at the time.  I became lead guitarist for Dave Van Ronks group, The Hudson Dusters, and we toured the East Coast and Canada.  I produced and / or arranged for McKendree Spring, Jake And The Family Jewels, Scott Fagin and also did some arranging for Bobby Vinton. I usually played Guitar on the dates I wrote the arrangements for.  The commercial music business in those days was a dog eat dog endless hustle.  I can tell you that having to make a living that way can kill your love for music.

 My wife at the time was an excellent singer and lyric writer. We worked as a team for the publishers.  We finally broke up, there were no kids involved. Her father was a Lawyer who was retired except for me. They had me in court every time I became visible in the music business.   This put a real damper on my commercial music career, and I'm glad it did.  I went underground to avoid them, started teaching Guitar and composition, and I loved it.  I could give to others from the heart, survive with integrity, and help people evolve through music.  Who could ask for anything more.

   The late 70's was a death time for jazz, and A lot of excellent but unknown players took to playing the streets and parks.  The street people loved it and supported us with what they could afford out of pocket.  It was the worlds biggest night club with the worlds most appreciative audience standing at your feet.  I joined up with various groups, and got a musical education on a practical level from great players that could be found nowhere else.

   In 1976 the copyright laws changed to 50 years beyond the death of the composer, and I was able retrieve my fathers copyrights and start Callicoon Music ASCAP for the entire Woods family, and my own music as well. With the advent of the computer age, I was able to leave New York City and move upstate to Poughkeepsie.  From here I can handle everything by phone, fax, and the internet, and work right out of my house.  The digital age has transformed the music business, and given independent musicians a chance to get out there.  Gone is the strangle hold that the old time recording industry had on the music business.

   I turned my teaching urge into the Music To Light Program, a 501-c3 non profit for teaching inner city kids Guitar and composition with the computer. I also taught in Green Haven a maximum security prison.  Jazz Guitar Starting Right is everything I've learned over the years.  At 71, I'm closer to the end than the beginning at this point in my life, and still enjoying playing and hanging in. 

Through Jazz Guitar Starting Right I'm trying to pass along everything I've ever learned to anyone who can use it, and make the instruction affordable.   Lots of free stuff and updates will also be given on a continuous basis on the site, both for those. who purchase Jazz Guitar Starting Right, and those who don’t

 Dave Woods,  September 29, 2006